14 September and 12 October 2025
Virgínio Moutinho Exhibition - Guided visits by the curator on 14 September and 12 October
The exhibition ‘Virgínio Moutinho — Na Oficina do Arquitecto’ (Virgínio Moutinho — In the Architect's Workshop) is on display at Casa da Arquitectura until 12 October, revealing four decades of artistic and experimental creation by the architect and toy maker. Curator Marco Ginoulhiac will lead guided visits on 14 September and 12 October at 11 a.m.
Admission is free. Tickets must be collected 30 minutes before the tour.
Admission is free. Tickets must be collected 30 minutes before the tour.
‘Virgínio Moutinho — Na Oficina do Arquitecto’ brings together a vast and eclectic collection of works created from the early 1980s until the eve of this exhibition. The pieces on display here do not belong to traditional architectural practice, but often depart from it — or engage in dialogue with it — to expand into the most diverse artistic universes, some of which are difficult to classify. Encompassing the author's multiple fields of production, and without drawing boundaries between linguistic, thematic or technical territories, nor seeking a rigid organisation by typology or chronological sequence, this exhibition organises the pieces by neighbouring areas, grouped by formal, conceptual or material affinities. This arrangement allows us to show the constellations of meaning that connect very different pieces, even if they come from different periods or different languages.
The exhibition offers an accessible and comprehensible reading of Virgínio Moutinho's work to a wide audience. Regardless of background or age, everyone can understand the narratives explored by the author, from those closest to the ready-made (which are never pure objet trouvé) to the most complex mechanisms — both intellectual and technological.
The exhibition offers an accessible and comprehensible reading of Virgínio Moutinho's work to a wide audience. Regardless of background or age, everyone can understand the narratives explored by the author, from those closest to the ready-made (which are never pure objet trouvé) to the most complex mechanisms — both intellectual and technological.